Twang and Belt

Posted on | July 19, 2008 | No Comments

Many students want to understand how twang and belt work in contemporary voice. Singing with twang and belt combined with speech quality are often defining qualities found in contemporary voice singing.

Belting without twang for extended periods can lead to voice damage. Once we have established good alignment and breath management, developing these qualities is important  when developing a good contemporary sound. This is especially important for choir singers transitioning into soloists, and classical singers crossing into more contemporary genres.

Singers often are amazed at the kind of power their voice develops once these foundations are in place. However, NEVER belt without proper breath management – only use a fine column of air.  Use lower abdominal muscles for support. You should not feel the sound develop using the muscles in your throat. Support comes from the abdominals which help control air flow and air pressure. Give the sound a lot of space in the pharanyx (back of the mouth and throat) and keep the tongue forward and high to encourage twang. Try calling out as if across a football field, or hailing a taxi!

Remember to work with a  teacher and never go higher than you feel comfortable.

These comments are general in nature and intended as a guide and you should always work with your qualified voice teacher individually to ensure you are using your voice correctly.

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